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Addressing reality of musical injuries
Thursday, November 6, 2008
You wouldn’t think a violinist or pianist would have reason to visit an occupational therapist.
Christine Guptill
Think again.
While it is still hard to pinpoint whether the playing of
music alone can be the cause of an injury or disability, graduate student
Christine Guptill (BMus'95, BSc'96) is hoping more people begin to recognize
the legitimacy of musical injuries and the role of occupational therapy as a
potential solution.
As a music student in the early 90s, Guptill, an obo
player, was suffering from what was determined at the time to be carpal tunnel
syndrome, which can cause pain in the forearm.
Always interested in science, she pursued her Master’s degree
in occupational therapy at Western Michigan University.
Following a few years in Sarnia and London as an
occupational therapist, Guptill decided to pursue her PhD at Western, focusing
on playing-related injuries among musicians.
With past studies showing a high response rate from
musicians in regards to injuries, Guptill says it’s hard to get people to talk
about it.
“Even talking about it is still new,” she says. “A lot of
it is a cultural thing as well – the old adage of suffering for my art.”
A number of factors, such as type of instrument, age of musician,
how they play and how often they play, influence the injury. There is even a
psychological component at work, adds Guptill, because some musicians identify
so strongly with their music that the injury is ignored.
The solution is often a multi-pronged approach, involving everyone
from health-care practitioners and post-secondary institutions to conductors,
orchestra managers and even the musicians themselves.
For her part, Guptill begins teaching a new course at
Western in January, possibly a first in Canada, entitled Health in Music
Performance.
“I am totally thrilled to be doing this,” she says. “To
open the students’ eyes and minds, along with other teachers, at this level is
important.”
A whole other side of the discussion is the fact
occupational therapy is not covered under OHIP.
“Then comes the idea of where to go and who can pay for
this,” she says, noting Hamilton and Toronto are the only locations where
musicians can go. “Musicians don’t make a lot of money and benefit plans, if
they have any, don’t cover this form of treatment.”
While there are plenty of potential hurdles, Guptill wants
eventually to see a multi-disciplinary clinic on campus. For now, however, just
the fact a discussion is underway is considered a plus.
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